Woke up at around 3am in the morning and opened the curtains. All I could her was extremely heavy rain pounding on every possible object in between the sky and the earth.
Lightning was fierce and I went back to bed with a sense of foreboding-a gut feeling saying things are not going to improve but hoping that the sky clears up.
Sleeping fitfully, finally got off the bed at 7:00 am as the plan was to leave for Ajanta caves around 9:00 am. It would take us around 2 hrs to reach the caves.
There seemed to be no respite from the rains and while we were advised against driving in the sudden downpour, we decided to take a chance in the hope that the rain would let up eventually.
Following Google maps, we drove towards Ajanta caves with the rain in full earnest. As we turned into the narrower roads, the visibility decreased significantly and we were barely able to see beyond 50 metres.
With canals on either side of the narrow roads overflowing, the rush of water in some places was scary, to say the least. Two wheelers and smaller cars had stopped. We drove ahead with caution and after a while the rain slowed down to a heavy drizzle.
By the time we reached the caves, it had started raining once more and we had to rent umbrellas at INR50/- each. There were two options to go up - take the stairs or use the ramp. We decided to go with the ramp and started walking uphill. Protecting our cameras was the prime concern throughout.
The caves were built during a period between 2nd century BC-AD and 7th century AD. The caves are split into Chaitya - grihas (meant as a place of worship of The Buddha) and Monastries (meant to house the monks during their stay).
The paintings are done in Tempera* style on a mud plaster surface.
As you enter the cave you see The Buddha in a lotus seated preaching pose -
This cave is the most famous one with paintings of Padmapani (The Lotus holder) and Vajrapani (The Thunderbolt holder) - "The compassionate one" and "The fierce one" respectively.
Some of the paintings adorning the sides of the Stupa -
Buddha and the one eyed monk
Notes:
Tempera (Italian: [ˈtɛmpera]), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium (usually a glutinous material such as egg yolk or some other binder) - Source of information - Wikipedia
Disclaimer -
There could be some errors in the narration w.r.t the cave details as it's been a year since we made this trip and its only now that I have been able to update it.
* All photos in this blog are the copyright of Supraja & TJ Shankaran
Lightning was fierce and I went back to bed with a sense of foreboding-a gut feeling saying things are not going to improve but hoping that the sky clears up.
Sleeping fitfully, finally got off the bed at 7:00 am as the plan was to leave for Ajanta caves around 9:00 am. It would take us around 2 hrs to reach the caves.
There seemed to be no respite from the rains and while we were advised against driving in the sudden downpour, we decided to take a chance in the hope that the rain would let up eventually.
Following Google maps, we drove towards Ajanta caves with the rain in full earnest. As we turned into the narrower roads, the visibility decreased significantly and we were barely able to see beyond 50 metres.
With canals on either side of the narrow roads overflowing, the rush of water in some places was scary, to say the least. Two wheelers and smaller cars had stopped. We drove ahead with caution and after a while the rain slowed down to a heavy drizzle.
By the time we reached the caves, it had started raining once more and we had to rent umbrellas at INR50/- each. There were two options to go up - take the stairs or use the ramp. We decided to go with the ramp and started walking uphill. Protecting our cameras was the prime concern throughout.
The caves were built during a period between 2nd century BC-AD and 7th century AD. The caves are split into Chaitya - grihas (meant as a place of worship of The Buddha) and Monastries (meant to house the monks during their stay).
The paintings are done in Tempera* style on a mud plaster surface.
As you enter the cave you see The Buddha in a lotus seated preaching pose -
This cave is the most famous one with paintings of Padmapani (The Lotus holder) and Vajrapani (The Thunderbolt holder) - "The compassionate one" and "The fierce one" respectively.
In another part of the cave, there were some paintings related to The Jataka tales. Could not capture many of them due to lighting and stability issues (tripods are not allowed)
One such painting is indicated below -
Cave 2 - A smaller one in size this cave also has a statue of the Buddha in a teaching posture
The beautiful painting on the ceiling visible above and shown below another painting on the ceiling -
The 2nd cave also has a brilliant painting of a discourse being given by Vidhurapandita - wise minister of King of Indraprastha
It's astounding that colours dating centuries ago are still visible and we can still get a semblance of the grandeur of these caves.
A frontal view of the entire cave 2, depicting massive paintings on either sides of The Buddha.
The rains were continuously battering and getting wet partially, (remember the cameras required more protection), we moved from one cave to another.
Cave 4 - it is said, is the largest one amongst the Ajanta caves (I wouldn't know since I could not see all of them due to the rains and the bridge being cut off!)
Cave 6 - The Buddha seated in a squatting pose surrounded by flying couples above him.
This cave is interesting because instead of Bodhisatvas in attendance, we have similarly seated Buddhas.
Cave 7 - Buddha flaked by Bodhisatvas
Cave 9 - One of the more elaborate caves with the Stupa and columned pillars (not shown here)
Some of the paintings adorning the sides of the Stupa -
Cave 10 - There were supposed to be almost 300 paintings in this particular cave but very few of them remain. A glimpse of a few below -
We could not go beyond Cave 10 because the connecting bridge was damaged due to the gushing waterfalls as a result of heavy rains.
We had to end our Ajanta journey incomplete hoping for another time to complete this tour.
Tempera (Italian: [ˈtɛmpera]), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium (usually a glutinous material such as egg yolk or some other binder) - Source of information - Wikipedia
Disclaimer -
There could be some errors in the narration w.r.t the cave details as it's been a year since we made this trip and its only now that I have been able to update it.
* All photos in this blog are the copyright of Supraja & TJ Shankaran
